Punjabi Culture Which Reflects The Happiness

If we get into folk music in the country, it is difficult to classify. But maybe you can make a board divisions for every season, every music festival related. Food is also referred to the changes this season. Festivals of Punjab assembly. Laurie is the time expires, and the sharp cold of winter begins. In ancient times it was more folk festival, where the birth of a son, was the first year of marriage on the village before the fire. Songs as a sander-mundriye, tera Vichara Cahoon, Dulla Bhathi Val. Sung virourous clap. Go to a group of young children will be singing around the village of Hur-Rewari-up for themselves. Lori-a-about and celebrated Maagh Maaghi Baisakhi Da Mela before then, when the village Bhangra dance man.
Energetic dance with crop maturation, conducted by the village men are related. Dance energy and energy and an abundance of people who come in expectation of money in accordance with the cut of a good harvest. Then comes the monsoon season or a shroud, when married daughters return to vacation, to meet his old friends who Phulkari colorful swings under the trees, adorn themselves with mehndi patterns and glass bangles and exchange news, singing songs. Ni Lia De Mai, Kallean Bagaan di-Mehandi. No opportunity was without a union of music in Punjab. Since the new woman of the concept of the child, to start the song. The third month of the fifth month, and then the actual birth of a child with songs of joy on the arrival point in the future. There are songs about love for a brother or sister. Once the marriage is concluded, and preparations for the wedding began to boys and girls of the family.
For the process of washing and cleaning of grain, production of new clothing and household items are songs sung by women in the family while working the night-Dhol not like men who have sex, use should not disturb their sleep. And it involves a lot of songs with marriage. As the girls side Suhag Sen, boys, parties, songs, when he rides the mare and singing Sehra Ghods. If both parties meet-Sithaniyan be replaced. One type of humor, adult show that it is easier for both parties, their spirit and ingenuity, but also makes the opportunity to become familiar with each other. After receiving the tea-Barat Patal Kaavya sing and eat together for Barat. Jugner, Sammi most songs and gather around the love in the Jugner normally single and sing about their beloved. Sammy is a gypsy dance, which is performed as an expression of joy and victory, around the fire overnight. Sammi is an imaginary female folk poetry, belonging to the Marwar area of Rajasthan who fell in love with the young prince, and is organized around a love story, music and dance. Included in the list of happy songs Ludd, Dhamala, and of course, Giddha and Bhangra, which set all the music, which is typical of Punjab. In collaboration with the Dhol, especially Sung-BOLIS, which can be divided into two categories, the costs of a bolus and bolus. Specialized in-law, father-in-law, sister-in-law is alive and the other characters in the daily life of the music of these two traditions is extremely troubling.
As the border war of the state has played an important role in the lives of people in Punjab. There was also a tradition of wrestlers living in every village, and while she practiced at Akhara music grew around their practice called singing Akhara. The drum plays a very important role in the folk music of Punjab. It contains the essential complement to the best of folk music. Dhol and Dholik male and female drum, had its own proper use. army to come was the sound of Dhol, when information was nearby villages affected by the special informed. Instruments used in traditional Punjabi typical of the region. Toombs-,-Algoz-,-chheka, chimta-,-kaanto, withdrawal daphali, and Manjira-are among the most popular tools. There are songs that are specific to death. Siapah-called, there are different types-siapah. specific individuals, songs of mourning at the loss of his brother, sister, mother, father, stepmother, father-in-law, and sung in a certain format.
As in the rest of the Sikh religion, the country is closely linked to music. In fact, a glossary of music and Ragas are accompanied at the end of Guru Granth Sahib, the tradition, Mardan, Guru Nanak on his travels, bani of Guru Nanak sang with “ektaara” and “rhubarb” is given. Classical ragas are used in “Shabad Kirtan” gayaki Punjab. The sixth Guru Hargobind gave patrongae for singers who sang songs that Article martial. Entitled “Dhad” they sing in churches and festivals, ballads, VAR, and the exploits of the Sikhs. With “Dhad” Dhad “also uses a sarangi, a musical accompaniment. Strong tradition of “Kisa sahity Punjab is an integral part of Punjabi folk music. Ranjha Legends Heer, Sohni Mahiwal, Sassi Punnu Puran Bhagat are sung more style semi-classical. Kaffi Punjabi and Kali are part of the genre. In this context, “Punjab Sufiana Cullum result of a strong Sufi tradition in the country. Army, in particular, a solid foundation of Sufi.
Later in the eighteenth and nineteenth centuries began a school in Punjab strong classical music, focusing on today known as the Patiala Gharana Patiala. The founders of this Ustaad Ali Bux and Ustaad Fateh Ali gahrana summer, the greatest singers in the Patiala Darbar were. His followers and admirers were numerous. Among them, Ustad Bade Ghulam Ali and his brother Ali, Barkat Patiala Gharana at the forefront of Khayal were delivered gayaki. And so began the “Chow-Mukhier” style, including Dhrupad, Khyal and Thumri taraana it. Each of these styles in their own flavor, special energy and vitality in the soil of Punjab. Richly decorated, Ustaad Bade Ghulam Ali Khan composed numerous “Bandish” or compositions under the pseudonym Sabarang. In parallel, the growth of gharana of tabla playing style of Punjab, including tabla master Alla Rakha big one, is not known.
What has been written about only a broad canvas of Punjab? In every village of Punjab, there is something typical of the soil. For many years, the success of the Green Revolution, with large fields of mustard, and Kanak Sitta “or grains of wheat, and the disco culture of ‘purdah’ or a blanket on a variety of traditional folk music of Punjab provided. For all the sophisticated connoisseur of music, Punjab provided enough for every occasion and every season, completely destroy the claim that the land of Punjab, agriculture, and no culture. “Culture lives and thrives in Punjab, despite its turbulent past.